The Minotaur: Myth of the Labyrinth Explained
Discover the true story of the Minotaur, Crete's bull-headed monster, its Labyrinth, Theseus's quest, and what the myth symbolizes…

The Greek god of love was Eros, a winged deity tied to desire, attraction, and romantic passion. His name is the root of the modern word "erotic," and the Greeks used it to describe the pull of love that arrives suddenly and without invitation. In the earliest myths, Eros was a primordial force present at the birth of the cosmos itself. In later tradition, he became the son of Aphrodite, the goddess of love and beauty, and her lover Ares, carrying a bow and arrows that could make anyone fall instantly in love. The Romans later renamed him Cupid.
Picture a boy with small feathered wings, crouched behind a marble column, an arrow already nocked. He doesn't aim for the heart the way paintings suggest. He aims for the whole body, for the breath that catches when someone walks into a room.
That single moment, the one where logic disappears and longing takes over, is what the Greeks tried to explain when they gave love a face and a name. Eros was their answer to a question every generation asks: why does love feel like it happens to us, rather than something we choose?
Eros appears in Greek sources in two very different forms, and both are worth knowing because they reveal how the Greeks understood love itself.
The poet Hesiod, writing around the 8th century BCE in his Theogony, lists Eros among the first beings to exist, born directly out of Chaos alongside Gaia (Earth) and Tartarus. In this version, Eros is not a mischievous child but a cosmic force, the pull that draws things together and makes creation possible. He has no parents, no arrows, no myths of romance attached to him. He simply is the principle of attraction that holds the universe together.
By the time of later poets and playwrights, Eros had transformed into the son of Aphrodite and Ares, the god of war. This version is the one most people recognize: a young, winged god who carries two kinds of arrows, gold-tipped ones that spark love and lead-tipped ones that create aversion. This Eros is playful, sometimes cruel, and fully capable of causing chaos among gods and mortals alike, often at his mother's request.
Both versions coexisted in Greek thought without much conflict. The philosopher Plato even used Eros as a symbol in the Symposium, arguing that romantic desire could be a starting point for a person's pursuit of beauty, truth, and wisdom.

When Roman culture absorbed Greek mythology, Eros became Cupid, son of Venus (the Roman Aphrodite). The core idea stayed the same: a winged figure whose arrows control who falls in love with whom. But the tone shifted.
This shift from a powerful primal god to a decorative cherub shows how cultures reshape their myths to fit new values. The Greeks were comfortable with love as something disruptive and even frightening. The Romans, by the height of the empire, preferred it playful and ornamental.
Eros carried a distinct set of symbols that ancient artists used consistently across pottery, sculpture, and later Roman frescoes.
| Symbol | Meaning |
|---|---|
| Bow and arrows | The sudden, involuntary nature of falling in love |
| Wings | Love's ability to move quickly and unpredictably between people |
| Golden arrow | Instant desire and attraction |
| Lead arrow | Rejection, aversion, and the refusal of love |
| Torch | The burning, consuming quality of passion |
| Blindfold (later Roman art) | Love's disregard for logic, status, or appearance |
Eros's power was never about persuasion. He didn't convince anyone to fall in love, he forced the feeling into existence with a single shot. That detail matters spiritually too, since it reflects how the Greeks viewed desire as something that arrives uninvited rather than something a person builds through choice.
The most famous story involving Eros comes from the Roman writer Apuleius in The Golden Ass, though the tale draws on older Greek folk motifs. Psyche, a mortal woman so beautiful that people began worshipping her instead of Aphrodite, draws the goddess's jealousy. Aphrodite sends her son Eros to make Psyche fall in love with something hideous.
Instead, Eros accidentally pricks himself with his own arrow and falls in love with her. He visits her only at night and forbids her from ever looking at his face. When Psyche breaks the rule out of curiosity, lighting a lamp to see him while he sleeps, he flees, wounded both physically and emotionally.
What follows is a series of near-impossible trials that Aphrodite forces on Psyche, including sorting massive piles of grain and retrieving a box from the underworld. Psyche eventually earns immortality and is reunited with Eros permanently, becoming his wife and the personification of the soul itself, since Psyche literally means "soul" or "breath of life" in Greek.
This story is often read as an allegory: love and the soul are bound together, but only after the soul survives doubt, disobedience, and hardship. It is one of the earliest Western stories to frame love as something that requires trust built through struggle rather than instant fulfillment.

Modern spiritual writers often separate "eros" from other Greek words for love, since Greek had several distinct terms. Eros refers specifically to romantic, physical, and passionate love, distinct from philia (friendship), storge (family affection), and agape (selfless, unconditional love). This distinction still shapes how therapists and spiritual teachers talk about relationships today.
When people speak of "eros energy" in modern spiritual contexts, they usually mean:
This reading connects back to Hesiod's primordial Eros far more than to the cherubic Cupid. The ancient idea that Eros existed at the birth of the cosmos suggests that attraction itself, the force that draws two separate things toward union, is one of the oldest and most fundamental energies in existence.
Dreaming of Eros, or of arrows, wings, or a winged figure connected to romance, is generally interpreted as a signal about unresolved desire or an approaching emotional shift. A few common dream contexts include:
These interpretations borrow from the mythology directly rather than generic dream symbolism, since Eros stories were built specifically around the tension between desire and consequence.
You don't need to believe in Greek gods literally to use Eros as a useful lens for your own relationship with desire and passion.
Eros sits alongside other major deities discussed on this site, including the full Greek gods list, where you can see how love, war, wisdom, and the harvest were each assigned their own divine force. His mother Aphrodite, his sometimes-rival Apollo, and his father Ares each represent a different piece of how the Greeks divided human experience among their gods.
Aphrodite was the Greek goddess of love and beauty, while her son Eros was specifically the god of romantic desire and attraction. Together they represented two sides of love: Aphrodite embodied beauty and allure, and Eros embodied the spark of falling in love itself.
Eros is the Greek version and Cupid is the Roman version of the same god, both associated with love arrows and winged imagery. Over time Cupid became a chubbier, more childlike figure in art, while Eros in earlier Greek sources was often depicted as a young man with real power to disrupt lives.
In Hesiod's earliest account, Eros had no parents and existed as a primordial force from the beginning of creation. In later and more widely known myths, he was the son of Aphrodite and Ares, the god of war.
The story follows Eros falling in love with a mortal woman named Psyche, then losing her trust when she breaks his rule not to look at his face. Psyche completes a series of difficult trials set by Aphrodite to win him back, and the tale is often read as a symbol of the soul's journey toward true, lasting love.